The Political landscape
“The political history of the Mountain Park is significant as an early site where the conflicting demands of place, aesthetics, visitation, environmental awareness and the utilitarian need for ‘resources’ were disputed within the community.”
“Ogilvie’s Scar”
“There is a song that can still be sung. And walking upon the mountain make us all aware that no matter how many people want silence to reassert itself in Tasmania, that song must and will be heard, and if we must, we will fight to hear it and we must never give up that fight.”
— Richard Flanagan essay in ‘On The Mountain’ December 1995
The mountain has always been a place of beauty and riches. One of the deepest stories of the mountain is the conflict between those who loved its beauty and those who desired its riches.
The fern fronds that decorated the street parades and dance halls, but entailed the denuding of the gullies; the timber beams that built the city, but felled the giants; the fires that illuminated the summit and thrilled wild-eyed boys but decimated the wildlife; the proposals for the Park itself to be reserved against all this, and then when it was, plans for hotels, restaurants and attractions to entertain and service tourists that inflamed the peace and quiet-loving locals: The Road, a cable car, illuminated beacons, grog shops, the Observation Shelter, communication towers—the list is long.
This political history was recognised as a very significant aspect of the mountain in a 2005 report to the Wellington Park Management Trust: “Strong aesthetic and social values that attach to this part of Wellington Park ... are manifest in community opposition to major developments historically and today (eg, the cable car, the Pinnacle Road, developments at the Springs, the Pinnacle viewing shelter, the most recent telecommunications tower). This [is] consistent with the area being a significant historical cultural landscape.” — Scripps and McConnell Focus on the Fringe WPMT 2005 page 70
“Over the years, telecommunications towers have clustered at the top, where they stab unruly spikes through the skyline. A squat, stone blockhouse viewing shelter was also forced on to the peak in 1988. And at least four times since 1903 people have tried and failed to build a cable-car to the summit.”
A CHRONOLOGY OF CONTROVERSY
1830 Complaint at the repeated, wilful burning of The Pinnacle and upper slopes of the mountain.
1840-1905 A campaign to end timber-felling on the mountain.
1880 Protest at the Waterworks Department proposal to remove fern glades along the Pipeline Track.
1892 Anguish at the pillage of tree ferns, wildflowers, especially the waratah and the snow berry as well as the blue gum decimation.
1902–5 Protest at the over-extraction of water from North West River
1906–1935 Efforts to obtain a liquor licence on the mountain defeated by teetotallers.
1918 Hobart city councillor Bottrill proposes as a fitting memorial to WW1, upon the Pinnacle the errection of a statute of a fallen soldier. The motion lapsed for want of a seconder. 28 May 1918.
1935 Pinnacle Road (Ogilvie’s Scar) opposed.
1958 Errection of the PMG tower
1976 Bob Brown fasts for a week on top of Mt Wellington in protest against the arrival at Hobart of the nuclear-powered warship USS Enterprise. [11]
1988 The re-siting of the Pinnacle Observation Shelter above the skyline creates incendiary fury.
1990 Thark Ridge ski-field proposal (linked to Skyway cable car proposal) opposed.
1993 Protest at proposal for a cableway (Cascade—Pinnacle) and associated visitor centre on The Pinnacle.
2016–18 Banner drops oppose MWCC cableway route (Myrtle Gully—Pinnacle).
2018 May Day Rally in Cascade Gardens. 1,000 strong human banner protest at cableway base station. Amphitheatre banner drops and overnight vigils on the Amphitheatre ridgeline.
2019–20 The Sentinels, a group of red-cloak-clad protesters who have adopted the solitary, silent and still role of mountain genus loci.
HERITAGE VALUES
The political flashpoints hold Historical, Social and possibly some Spiritual heritage values.
SIGNIFICANCE
‘The concept of wilderness—first and most firmly—took hold in Australia in the shadow of the mountain.’
— Richard Flanagan "On the mountain" December 1995
No assessment of the significance of the mountain’s political history has been published. The three most significant themes are the protection/use/destruction of natural resources, especially flora; beauty/utility; and tourist developments/attractions. A lesser theme is the treating of the mountain as a plinth upon which some widely conspicuous object can be placed—say, bonfires, light beams, statures.
Excepting ‘Ogilvie’s Scar’, commonly nothing physical remains. The value of the sites is mostly intangible, Alone, most of the flashpoints are of only local heritage significance, but all together, by their early emergence and continual complication, and by their diversity: by showing what they so potently inspired, these places are essential to explaining the development of environmental consciousness into a mass political force in this nation. And in the world. They have national and some global significance.